In This Issue
- James Knowlson: Editorial
- Samuel Beckett: 'Ghost Trio'
- John Pilling: Beckett's 'Proust'
- Hannelore Fahrenbach
and John Fletcher: The 'Voice of silence': reason, imagination and creative sterility in 'Texts for nothing'
- S. E. Gontarski: Birth astride a grave: Samuel Beckett's 'Act Without Words I'
- Ruby Cohn: Beckett's German 'Godot'
- James Knowlson: Krapp's Last Tape: the evolution of a play, 1958-1975
- Richard L. Admussen: Samuel Beckett's unpublished writings
- Katharine J. Worth: Review article: Beckett's fine shades -- 'Play,' 'That time' and 'Footfalls'
- Practical aspects of theatre, radio and television:
Rosemary Pountney: On acting Mouth in 'Not I'
Katharine J. Worth: Audio-visual Beckett
- Book reviews
John Fletcher: 'Samuel Beckett' by John Pilling
John Pilling: 'Beckett the shape changer' A symposium edited by Katharine J. Worth
John Bayley: 'Selected letters of James Joyce' edited by Richard Ellmann
John McCormick: 'Plays' Eugène Ionesco, vol. 10, translated by Donald Watson
- Play reviews
Martin Esslin: 'Godot' the authorized version at the Royal Court Theatre
Rosemary Pountney: 'Happy days' at the National Theatre
James Knowlson: 'La dernière bande' at the Greenwood Theatre
John McCormick: 'Endgame' at Royal Court Theatre