In This Issue
- James Knowlson: Editorial
- Samuel Beckett: All strange away
- Jeri Kroll: Belacqua as artist and lover: 'What a misfortune'
- Michael E. Mooney: 'Molloy,' part 1: Beckett's 'Discourse on method'
- Judith Dearlove: The voice and its words:'How it is in Beckett's canon'
- Celia Britton: The status of representation in Michel Butor's 'L'emploi du temps' and 'La modification'
- James Knowlson: Practical aspects of theatre, radio, and television: Extracts from an interview with Billie Whitelaw
- Malcolm Page: Review article: 'The perils of bibliography'
- Book reviews
John Pilling: 'Samuel Beckett and the pessimistic tradition' by Steven J. Rosen
Colin Duckworth: 'Beckett's "Happy Days": a manuscript study' by S.E. Gontarski
A.J. Leventhal: 'Beckett/Beckett' by Vivian Mercier
Bernard Benstock: 'James Joyce: the citizen and the artist' by C.H. Peake
Shari Benstock: 'The sigla of Finnegan's wake' by Roland McHugh
John Stokes: 'Oscar Wilde: a biography' by H. Montgomery Hyde
John Bayley: 'The situation of poetry: contemporary poetry and its traditions' by Robert Pinksy
David Bradby: 'Perspectives on plays' edited by Jane Lyman
- Play reviews
Richard Cave: Two views of purgatory: Beckett and Yeats at the Edinburgh Festival 1977
John Pilling: Beckett in Manhattan