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In This Issue

  1. John Pilling: Editorial
     
  2. Samuel Beckett: Heard in the dark 2
     
  3. James Acheson: Murphy's metaphysics
     
  4. Rubin Rabinovitz: 'Molloy' and the archetypal traveller
     
  5. Paul Lawley: Symbolic structure and creative obligation in 'Endgame'
     
  6. Michael Robinson: From purgatory to inferno: Beckett and Dante revisited
     
  7. Ronald Knowles: 'The Caretaker' and the 'point' of laughter
     
  8. Peter Murphy: Review article: 'All strange away' by Samuel Beckett
     
  9. Celia Britton: Review article: 'Fools say' by Nathalie Sarraute
     
  10. Ronald Hayman: Theatre diary
     
  11. Book reviews
     
    Martha Fehsenfeld: 'The Samuel Beckett collection: a catalogue'
     
    Ronald Knowles: 'Harold Pinter: an annotated bibliography' by Steven H. Gale; and "Where laughter stops' by Bernard F. Dukore
     
    Rudiger Imhof: 'Harold Pinter und die Problematik des Absurden Theaters' by Peter Munder; and 'Harold Pinter. Ein Beitrag zur Typologie des neuen englischen Dramas' by Karl-Heinz Stoll
     
    Michael Minden: 'Bertolt Brecht: The Collected Plays' (volumes one and seven), edited by John Willett and Ralph Manheim
     
    J.G. Weightman: 'Artaud and after' by Ronald Hayman
     
    W.D. Redfern: 'Sartre: images d'une vie'
     
  12. Play reviews
     
    James Knowlson: 'Happy days' in London
     
    John D. Shout: 'Happy days' in New York
     
  13. Photographic record of recent German productions of Beckett's plays
     
    Theatre 1 and Theatre 2
     
    Spiel (Play)
     
    Kommen und gehen (Come and go)
     
  14. John Pilling: The Cambridge Poetry Festival 1979, a review
     
 
 
© 2000 Journal of Beckett Studies
Florida State University
sgontarski@english.fsu.edu