In This Issue
John Pilling:
Editorial
Linda Ben-Zvi:
The schismatic self in 'A piece of monologue'
J.D. O'Hara:
Jung and the narratives of 'Molloy'
James Hansford:
'Imagination dead imagine': the imagination and its context
Peter Murphy:
The nature of allegory in 'The lost ones', or the Quincunx Realistically Considered
Sylvie Debevac Henning:
'Film': a dialogue between Beckett and Berkeley
David Hayman:
Joyce --> Beckett/Joyce
Richard Pearce:
From Joyce to Beckett: the tale that wags the telling
J.C. Eade:
The seventh scarf: a note on 'Murphy'
John Pilling:
Review article: 'Company'
Play review
Thomas J. Taylor:
'Footfalls' and 'Not I': the La Mama production of 1980
Film review
Richard Cave:
'Film'
Book reviews
David H. Hesla:
'Waiting for death: the philosophical significance of Beckett's "En attendant Godot"'
H. Porter Abbott:
'The transformations of Godot'
Edith Kern:
'From Buchner to Beckett'
Victor Sage:
'Language in modern literature: innovation and experiment'
Patrick Parrinder:
'The egghead republic: a short novel from the Horse Latitudes'
Alan Munton:
'People's theatre'
© 2000 Journal of Beckett Studies
Florida State University
sgontarski@english.fsu.edu