In This Issue
Artistic theory in the work of Samuel Beckett
The body in Beckett's theatre
Language in 'Waiting for Godot'
'Imagination dead imagine': the microcosm of the mind
Seeing and saying in 'As the story was told'
Eric P. Levy:
'Company': the mirror of Beckettian mimesis
Tom Stoppard and the art of communication
The world premiere of 'Ohio impromptu,' directed by Alan Schnieder at Columbus, Ohio
Beckett in Dublin: the San Quentin Drama Workshop production of "Krapp's last tape" and "Endgame"'
Beckett in Oxford: the San Quentin Drama Workshop production of "Krapp's last tape' and "Endgame'
'Just play: Beckett's theatre' by Ruby Cohn
'Frescoes of the skull: the later prose and drama of Samuel Beckett' by James Knowlson and John Pilling
'Samuel Beckett: checklist and index of his published works 1967-1976' compiled by Robin J. Davis
'Gunter Grass: the writer in a pluralist society' by Michael Hollington
© 2000 Journal of Beckett Studies
Florida State University