Cover

In This Issue

  1. Alan Scheider: Obituary
     
  2. Heath Lees: 'Watt': music, tuning, and tonality
     
  3. Paul Lawley: Beckett's dramatic counterpoint: a reading of 'Play'
     
  4. Nicholas Zurbrugg: Beckett, Prout, and 'Dream of fair to middling women'
     
  5. Linda Ben-Zvi: Fritz Mauthner for Company
     
  6. Jean Yamasaki Toyama: Malone, the unoriginal centre
     
  7. Rei Noguchi: Style and strategy in 'Endgame'
     
  8. Anne C. Murch: Quoting from Godot: trends in contemporary French theatre
     
  9. Photographic record of recent Beckett productions
     
  10. Play reviews
     
    S.E Gontarski: 'Quad 1 and 11'; Beckett's sinister mime(s)
     
    John Pilling: 'Lessness' at the Oxford Playhouse
     
  11. Book reviews
     
    Kristin Morrison: 'Samuel Beckett's real silence' by Helene L. Baldwin
     
    Kevin O'Malley: 'Theatre workbook 1: "Krapp's last tape"' ed. James Knowlson
     
    James Acheson Beckett and the voice of species' by Eric P. Levy
     
    Konrad Schoetl: 'Samuel Beckett's Roman "Watt": eine Untersuchung des gnoseologischen Grundzuges' by Gottfried Buttner
     
 
 
© 2000 Journal of Beckett Studies
Florida State University
sgontarski@english.fsu.edu