In This Issue
- Alan Scheider: Obituary
- Heath Lees: 'Watt': music, tuning, and tonality
- Paul Lawley: Beckett's dramatic counterpoint: a reading of 'Play'
- Nicholas Zurbrugg: Beckett, Prout, and 'Dream of fair to middling women'
- Linda Ben-Zvi: Fritz Mauthner for Company
- Jean Yamasaki Toyama: Malone, the unoriginal centre
- Rei Noguchi: Style and strategy in 'Endgame'
- Anne C. Murch: Quoting from Godot: trends in contemporary French theatre
- Photographic record of recent Beckett productions
- Play reviews
S.E Gontarski: 'Quad 1 and 11'; Beckett's sinister mime(s)
John Pilling: 'Lessness' at the Oxford Playhouse
- Book reviews
Kristin Morrison: 'Samuel Beckett's real silence' by Helene L. Baldwin
Kevin O'Malley: 'Theatre workbook 1: "Krapp's last tape"' ed. James Knowlson
James Acheson Beckett and the voice of species' by Eric P. Levy
Konrad Schoetl: 'Samuel Beckett's Roman "Watt": eine Untersuchung des gnoseologischen Grundzuges' by Gottfried Buttner