In this issue
Essays
Everett Frost: Audio Prosthetics and
the problems of a radio production
of Samuel Beckett’s Krapp’s Last Tape
Pages 1-20
Erik Tonning: Not I and the
Trauma of Birth
Pages 21-34
Shane Weller: Last Laughs: Beckett
and the Ethics of Comedy
Pages 35-59
Ilan Safit: The Persistence of Movement:
Beckett’s Invisible Movement-Image
Pages 60-87
Matthjis Engleberts: Bordering on Death:
Orpheus and Orphism in Beckett’s Eleutheria
Pages 88-107
Jerry Curtis: Human Relationships:
The Self and the Other in Beckett’s Trilogy
Pages 108-117
James Knowlson: A Note on Benozzo Gozzoli
Pages 118-123
Focus: Global Beckett
Robson Corréa de Camargo: 50
Years of Beckett in the Brazilian Theatre Norma Bouchard: Recovering Beckett’s
Italian Translations W.H. Kao: Samuel Beckett in Taiwan: Cross-cultural Innovations and Significance Xavier Tricot: Monsieur Godot
Pages 124-144
Pages 145-159
Pages 160-181
Pages 182-185
S.E. Gontarski
interviews Makoto Soto
Pages 186-194
Review Essays
Shane Weller reviews C.J. Ackerley’s
Obscure Locks, Simple Keys: the Annotated Watt
Pages 195-203
Zachary A. Hanson reviews Jeremy Parrott’s
Change All the Names:
a Samuel Beckett onomasticon
Pages 204-211
Emily Dowd reviews Ellen Wolff’s
“An Anarchy in the Mind and in the Heart”:
Narrating
Anglo-Ireland
Pages 212-218
Book Reviews
Graley Herren reviews Martin Puchner’s
Stage Fright:
Modernism,
Anti-Theatricality, and Drama
Pages 219-226
William Hutchings reviews Lois Gordon’s
Reading Godot
and David Bradby’s Beckett: Waiting for Godot
Pages 227-233
David Houston Jones reviews Gary Adelman’s
Naming Beckett’s Unnamable
Pages 234-235
Tom Cousineau reviews Alain Badiou’s
On Beckett
Pages 236-241
Production Reviews
S.E. Gontarski reviews Atom Egoyan’s
Eh, Joe
Pages 242-247
Paul Shields reviews Walter Asmus’s
Rockaby and Krapp’s Last Tape
Pages 248-252
Letter
Ronan McDonald responds to Chris Murray
Murray responds to McDonald
Pages 253-255
© 2006
Journal of Beckett Studies
Florida State University
sgontarski@fsu.edu